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In a totalitarian future society, a man whose daily work is rewriting history tries to rebel by falling in love.
In a totalitarian future society, a man whose daily work is rewriting history tries to rebel by falling in love.
The film's central thesis is a stark warning against the dangers of totalitarianism and the systematic suppression of individual thought, memory, and objective truth. Its critique of unchecked state power and its implicit advocacy for individual autonomy and the preservation of reality are universal human rights concerns, transcending specific partisan ideologies.
The movie features traditional casting without explicit race or gender swaps of established roles. Its narrative focuses on a critique of totalitarian systems and individual freedom, rather than explicitly addressing or critiquing traditional identities or promoting DEI themes.
The 1984 film adaptation does not feature any identifiable LGBTQ+ characters or themes. Its narrative centers on a totalitarian regime's control over all forms of personal expression and relationships, without specific reference to queer identities.
The movie does not contain any action or adventure elements.
The 1956 film adaptation of George Orwell's novel "Nineteen Eighty-Four" maintains the established genders of all major characters from the source material, with no instances of a character being portrayed as a different gender.
The 1956 film adaptation of George Orwell's novel "Nineteen Eighty-Four" features characters whose on-screen portrayals align with their implied or described racial backgrounds in the source material. No instances of a character canonically established as one race being depicted as a different race were identified.
Combines user and critic ratings from four sources