Apple TVThe Wrong Man (1956)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 8.0
Overview
In 1953, an innocent man named Christopher Emmanuel "Manny" Balestrero is arrested after being mistaken for an armed robber.
Starring Cast
Where to watch
Apple TV
Google PlayBias Dimensions
Political: Center
Diversity: Low
Christianity: Positive
Overview
In 1953, an innocent man named Christopher Emmanuel "Manny" Balestrero is arrested after being mistaken for an armed robber.
Starring Cast
Where to watch
Apple TVGoogle PlayDetailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film portrays the harrowing experience of an innocent man wrongly accused by a flawed justice system, focusing on the personal devastation rather than advocating for specific political reforms or ideological viewpoints. Its narrative emphasizes the universal fear of injustice and the importance of truth, ultimately presenting a neutral stance on political solutions.
This film features a predominantly white cast, consistent with traditional Hollywood productions of its era, and does not incorporate intentional race or gender swaps for established roles. The narrative centers on the personal ordeal of a white, male protagonist facing a legal injustice, without critiquing traditional identities or explicitly integrating diversity, equity, or inclusion themes into its core message.
Secondary
The film portrays the Catholic faith of Manny and his family with respect and empathy, highlighting its role as a source of comfort and struggle during extreme adversity. While Manny's faith is severely tested, the narrative frames his personal crisis and his family's reliance on prayer sympathetically, without critiquing the religion itself.
The film "The Wrong Man" does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses exclusively on a heterosexual couple's ordeal with the justice system and mental health challenges, resulting in no depiction relevant to LGBTQ+ representation.
The movie does not contain any action or adventure elements.
The film is a docudrama based on a true story. All major characters, including Christopher Emmanuel Balestrero and his wife Rose, are portrayed on screen with the same gender as their historical counterparts. No character's gender was altered from the source material.
The film is based on a true story about Christopher Emmanuel Balestrero, an Italian-American musician. All major characters, including Balestrero and his wife, are portrayed by actors whose race aligns with the historical figures they represent.
Viewer Rating Breakdown
8.0
Viewer Rating
Combines user and critic ratings from four sources
User Ratings
7.4
7.1
Critic Ratings
9.3
8.3
More Like This
Traditional
6.7
Madigan
(1968)
Political: Leans Right
Diversity: Low
Traditional
8.1
Rope
(1948)
Political: Center
Diversity: Low
LGBTQ: Negative
Traditional
9.1
Psycho
(1960)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.7
A Place in the Sun
(1951)
Political: Center
Diversity: Low
Leans Traditional
7.8
Casino
(1995)
Political: Center
Diversity: Low
Leans Traditional
8.5
Fargo
(1996)
Political: Center
Diversity: Low
Leans Traditional
6.8
Public Enemies
(2009)
Political: Center
Diversity: Low
Leans Traditional
7.6
Road to Perdition
(2002)
Political: Center
Diversity: Low
Leans Traditional
7.7
Five Star Final
(1931)
Political: Center
Diversity: Low
Leans Traditional
8.2
Once Upon a Time in America
(1984)
Political: Center
Diversity: Low
Leans Traditional
7.8
Butch Cassidy and the Sundance Kid
(1969)
Political: Center
Diversity: Low
Leans Traditional
7.3
At Close Range
(1986)
Political: Center
Diversity: Low
Leans Traditional
6.5
Mata Hari
(1931)
Political: Center
Diversity: Low
Center
8.2
Mystic River
(2003)
Political: Center
Diversity: Low
Leans Traditional
8.6
The Departed
(2006)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
8.2
And Then There Were None
(1945)
Political: Center
Diversity: Low
Leans Traditional
8.9
The Dark Knight
(2008)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.9
Donnie Brasco
(1997)
Political: Center
Diversity: Low
Leans Traditional
7.5
The Unholy Three
(1925)
Political: Center
Diversity: Low
Leans Traditional
8.3
Where the Sidewalk Ends
(1950)
Political: Center
Diversity: Low