HBO MaxThe Music Room (1958)
Bias Rating
Analyzing...
Center
Viewer Rating
Rating: 8.5
Overview
An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.
Starring Cast
Where to watch
HBO Max
Apple TV
Google PlayBias Dimensions
Political: Center
Diversity: Moderate
Hinduism: Positive
Overview
An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.
Starring Cast
Where to watch
HBO MaxApple TVGoogle PlayDetailed Bias Analysis
Analyzing...
Center
Primary
The film objectively portrays the tragic downfall of a proud zamindar, exploring the clash between a dying aristocratic tradition and emerging modernity without explicitly endorsing or condemning either side. Its focus is on individual character and the human cost of historical change, rather than a political agenda.
The film features a cast authentic to its Bengali cultural setting, depicting various social strata without engaging in explicit DEI-driven casting as defined by Western frameworks. The narrative subtly critiques the traditional male protagonist's adherence to outdated values, which ultimately leads to his tragic downfall.
Secondary
The film portrays a traditional Hindu aristocratic family, depicting their cultural practices and rituals with respect and nuance. While the protagonist's pride and inability to adapt lead to his downfall, these flaws are personal and not attributed to his religious beliefs. The narrative evokes sympathy for a fading way of life, showcasing its dignity and cultural richness.
The Music Room is a drama centered on a zamindar's struggle with financial ruin and his devotion to tradition. The film does not feature any discernible LGBTQ+ characters, relationships, or themes, resulting in no portrayal of queer identity within its narrative.
The movie does not contain any action or adventure elements.
The Music Room is an original screenplay by Satyajit Ray, based on a short story. The film does not feature characters whose genders were previously established differently in widely recognized source material, prior adaptations, or historical records.
The Music Room is an Indian film set in Bengal, featuring Bengali characters. The casting aligns with the characters' established race in the source material and setting, with no instances of a character canonically established as one race being portrayed as another.
Viewer Rating Breakdown
8.5
Viewer Rating
Combines user and critic ratings from four sources
User Ratings
7.9
7.5
Critic Ratings
10.0
N/A
More Like This
Center
8.6
Aparajito
(1956)
Political: Center
Diversity: Moderate
Center
6.9
Umrao Jaan
(1981)
Political: Center
Diversity: Moderate
Center
8.6
Pather Panchali
(1955)
Political: Center
Diversity: Moderate
Center
8.7
Apur Sansar
(1959)
Political: Center
Diversity: Moderate
Leans Progressive
7.0
The Deliverance
(1981)
Political: Leans Left
Diversity: Moderate
Center
7.8
Rockstar
(2011)
Political: Center
Diversity: Moderate
Center
8.3
Charulata
(1964)
Political: Center
Diversity: Moderate
Progressive
7.8
Gully Boy
(2019)
Political: Leans Left
Diversity: High
Leans Progressive
8.2
The Middleman
(1976)
Political: Leans Left
Diversity: Moderate
Leans Traditional
6.6
Baiju Bawra
(1952)
Political: Center
Diversity: Low
Progressive
8.1
Secret Superstar
(2017)
Political: Strong Left
Diversity: High
Center
8.4
Days and Nights in the Forest
(1970)
Political: Center
Diversity: Moderate
Center
8.5
The Stranger
(1991)
Political: Center
Diversity: Moderate
Leans Traditional
7.2
Anmol Ghadi
(1946)
Political: Center
Diversity: Low
Progressive
7.3
An Enemy of the People
(1990)
Political: Strong Left
Diversity: High
Leans Progressive
7.5
Madrasapattinam
(2010)
Political: Leans Left
Diversity: Moderate
Leans Traditional
7.5
Annamalai
(1992)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.1
Qayamat Se Qayamat Tak
(1988)
Political: Center
Diversity: Low
Leans Progressive
8.5
Pyaasa
(1957)
Political: Strong Left
Diversity: Moderate
Traditional
6.6
Kaakki Sattai
(1985)
Political: Leans Right
Diversity: Low