Slick lawyer Thomas Farrell has made a career of defending mobsters in trials. It's not until he meets a lovely showgirl at a mob party that he realizes that there's more to life than winning trials. Farrell tries to quit the racket, but mob boss Rico Angelo threatens to hurt the showgirl if Farrell leaves him.
Slick lawyer Thomas Farrell has made a career of defending mobsters in trials. It's not until he meets a lovely showgirl at a mob party that he realizes that there's more to life than winning trials. Farrell tries to quit the racket, but mob boss Rico Angelo threatens to hurt the showgirl if Farrell leaves him.
The film focuses on the personal struggle of individuals to escape a criminal underworld through moral choice and mutual support, rather than engaging with broader political or societal critiques, leading to a neutral rating.
The movie features a cast predominantly composed of white actors, reflecting the common casting practices of its time. Its narrative focuses on a crime drama without engaging in critiques of traditional identities or incorporating explicit themes of diversity, equity, and inclusion.
The film "Party Girl" (1958) by Nicholas Ray does not feature any identifiable LGBTQ+ characters or themes. The narrative primarily focuses on a lawyer's involvement with gangsters and his relationship with a showgirl, without addressing queer identity or experiences.
The movie does not contain any action or adventure elements.
The 1958 film "Party Girl" is based on a story by George Wells. There is no evidence that any of its main characters were previously established in a widely known source material, prior installment, or historical record with a different gender. The characters appear to be original to the film's source story.
Party Girl (1958) is an original film and not an adaptation of existing source material or a biopic. Its characters did not have a pre-established race prior to this film's creation, thus no race swaps occurred.
Combines user and critic ratings from four sources