Resentful after an ugly divorce from her unfaithful husband, Judith McGuire moves to Los Angeles. Adrift and detached, she spends her days and nights wandering through her new city, cynically remarking on the hypocrisy, vanity and brutality of the modern world and humanity's alienation from themselves and each other.
Resentful after an ugly divorce from her unfaithful husband, Judith McGuire moves to Los Angeles. Adrift and detached, she spends her days and nights wandering through her new city, cynically remarking on the hypocrisy, vanity and brutality of the modern world and humanity's alienation from themselves and each other.
The film explores universal themes of urban alienation and existential despair through an individual's psychological journey. Its critique of modern society is primarily humanistic and observational, focusing on the human condition rather than explicitly promoting a specific political ideology or solution.
The 1959 docudrama 'The Savage Eye' features traditional casting for its era, focusing on a white female protagonist without explicit race or gender swaps. The narrative explores themes of alienation and societal observation, but does not explicitly critique traditional identities or center DEI themes.
The film portrays a world of profound spiritual emptiness and alienation where traditional Christian institutions and symbols are present but offer no solace or meaning to the suffering individuals. The narrative highlights their perceived irrelevance in addressing modern despair.
The film focuses on the psychological journey of a divorced woman observing urban life and her own despair. There are no identifiable LGBTQ+ characters or themes present within the narrative or its exploration of human condition, loneliness, and societal decay.
The movie does not contain any action or adventure elements.
The Savage Eye is an original docudrama film from 1960, not an adaptation of pre-existing source material or historical figures. All characters, including the protagonist Judith, were created for this film, meaning there are no established characters whose gender could have been swapped.
The Savage Eye (1960) is an original docudrama/mockumentary film. Its characters, including the protagonist Judith, were created for this specific production and do not have prior canonical or historical racial identities to be altered.
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