Holly Golightly is an eccentric New York City playgirl determined to marry a Brazilian millionaire. But when young writer Paul Varjak moves into her apartment building, her past threatens to get in their way.
Holly Golightly is an eccentric New York City playgirl determined to marry a Brazilian millionaire. But when young writer Paul Varjak moves into her apartment building, her past threatens to get in their way.
The film's central conflict and resolution are primarily focused on individual character development and romantic themes, rather than promoting or critiquing a specific political ideology. It explores personal growth and the search for genuine connection, which are largely apolitical.
The film features a largely traditional main cast without intentional diversity-driven casting choices. Its narrative does not critique traditional identities or incorporate explicit DEI themes.
The character Mr. Yunioshi, canonically Japanese in Truman Capote's novella, is portrayed by Mickey Rooney, a white actor, in the film. This constitutes a race swap.
The film "Breakfast at Tiffany's" does not feature any identifiable LGBTQ+ characters or themes within its narrative. Its primary focus is on the romantic relationship between Holly Golightly and Paul Varjak, with no explicit representation of queer identities or experiences.
The movie does not contain any action or adventure elements.
The 1961 film adaptation of Truman Capote's novella maintains the established genders of all its main characters. No character canonically male or female in the source material is portrayed as a different gender in the film.
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