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Combines user and critic ratings from four sources
The crew of an atomic submarine battle to save the world from global destruction.
The crew of an atomic submarine battle to save the world from global destruction.
The film's central conflict, a global catastrophe, is resolved through the unilateral, decisive action of a strong individual leader who defies international consensus, aligning with themes of individual responsibility and skepticism of bureaucracy.
The movie features traditional casting practices, with a predominantly white cast typical of its production era. The narrative focuses on adventure and scientific challenges, without explicitly critiquing or negatively portraying traditional identities, nor does it center on explicit DEI themes.
The film portrays Father Dooley, a Christian chaplain, as a respected and integral member of the crew. His faith provides moral guidance, comfort, and hope during a global crisis, depicted without irony or critique, thus affirming its positive role.
Voyage to the Bottom of the Sea does not feature any identifiable LGBTQ+ characters or themes. The narrative is solely focused on a sci-fi disaster plot, with no elements suggesting queer identity or experiences. Therefore, the film has no net impact on LGBTQ+ portrayal.
The film does not feature any female characters engaging in or winning close-quarters physical combat against male opponents. Female characters are present but are not depicted in combat roles.
Voyage to the Bottom of the Sea (1961) is an original film, not an adaptation or reboot. All characters were created for this production, meaning there is no prior canonical or historical gender to be swapped.
This 1961 film is the original production for its characters and story. There is no prior source material or established canon from which characters could have been race-swapped.
Combines user and critic ratings from four sources