In the sleepy suburbs of Miami, seemingly normal Egyptian immigrant Fuad Ramses runs a successful catering business. He also murders young women and plans to use their body parts to revive the goddess Ishtar. The insane Ramses hypnotizes a socialite in order to land a job catering a party for her debutante daughter, Suzette Fremont, and turns the event into an evening of gruesome deaths, bloody dismemberment and ritual sacrifice.
In the sleepy suburbs of Miami, seemingly normal Egyptian immigrant Fuad Ramses runs a successful catering business. He also murders young women and plans to use their body parts to revive the goddess Ishtar. The insane Ramses hypnotizes a socialite in order to land a job catering a party for her debutante daughter, Suzette Fremont, and turns the event into an evening of gruesome deaths, bloody dismemberment and ritual sacrifice.
Blood Feast is rated 0 (Neutral/Centrist) because its central subject matter of ritualistic murder and gore is apolitical, focusing on individual depravity and shock value rather than promoting any specific left or right-leaning ideology.
The film features a cast that is primarily traditional, reflecting common casting practices of its time without any explicit race or gender swaps. Its narrative focuses on horror elements and does not engage with critiques of traditional identities or incorporate diversity, equity, and inclusion themes.
Blood Feast, a 1963 splatter film, does not include any discernible LGBTQ+ characters or themes. The narrative centers exclusively on a serial killer's ritualistic murders and the subsequent police investigation, without any elements pertaining to queer identity.
The movie does not contain any action or adventure elements.
Blood Feast (1963) is an original film with no pre-existing source material or legacy characters. All characters were created for this specific film, thus precluding any gender swaps from prior canon.
Blood Feast (1963) is an original film and not an adaptation of pre-existing material or a biopic. Its characters were created for this film, establishing their race for the first time on screen. Therefore, no character's race could have been swapped from a prior canonical or historical depiction.
Combines user and critic ratings from four sources