Apple TVIrma la Douce (1963)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 7.1
Overview
When a naive policeman falls in love with a prostitute, he doesn’t want her seeing other men and creates an alter ego who’s to be her only customer.
Starring Cast
Where to watch
Apple TV
Google PlayBias Dimensions
Political: Center
Diversity: Low
Overview
When a naive policeman falls in love with a prostitute, he doesn’t want her seeing other men and creates an alter ego who’s to be her only customer.
Starring Cast
Where to watch
Apple TVGoogle PlayDetailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film primarily functions as a romantic comedy, focusing on individual jealousy and elaborate deception rather than taking a definitive stance on the social or political implications of its setting. Its resolution prioritizes personal happiness and traditional romantic outcomes without explicit ideological promotion.
This film features a cast that is primarily traditional, without explicit race or gender swaps of established roles. The narrative maintains a neutral to positive framing of traditional identities, and DEI themes are not central to its storyline.
Secondary
Irma la Douce does not feature any identifiable LGBTQ+ characters or themes. The story centers entirely on a heterosexual romantic relationship, thus there is no portrayal to evaluate within the scope of LGBTQ+ representation.
The movie does not contain any action or adventure elements.
The film "Irma la Douce" is an adaptation of a French musical. The main characters, Irma and Nestor, retain their original genders from the source material. No established character's gender was altered in the film adaptation.
The 1963 film "Irma la Douce" is an adaptation of a 1956 French musical. The main characters, Irma and Nestor, were originally depicted as white French individuals. The film cast Shirley MacLaine and Jack Lemmon, both white actors, in these roles, maintaining the established racial depiction.
Viewer Rating Breakdown
7.1
Viewer Rating
Combines user and critic ratings from four sources
User Ratings
7.3
7.4
Critic Ratings
7.5
6.3
More Like This
Leans Traditional
8.8
The Apartment
(1960)
Political: Center
Diversity: Low
Leans Traditional
7.2
My Sister Eileen
(1955)
Political: Center
Diversity: Low
Leans Traditional
6.5
In Her Shoes
(2005)
Political: Center
Diversity: Low
Leans Traditional
7.9
The Major and the Minor
(1942)
Political: Center
Diversity: Low
Leans Traditional
7.5
The Seven Year Itch
(1955)
Political: Center
Diversity: Low
Leans Traditional
7.3
Love in the Afternoon
(1957)
Political: Center
Diversity: Low
Leans Traditional
7.8
Sabrina
(1954)
Political: Center
Diversity: Low
Leans Traditional
7.6
Kiss Me Kate
(1953)
Political: Center
Diversity: Low
Leans Traditional
7.2
Dancing Lady
(1933)
Political: Center
Diversity: Low
Leans Traditional
7.5
The Trouble with Harry
(1955)
Political: Center
Diversity: Low
Leans Traditional
6.8
Definitely, Maybe
(2008)
Political: Center
Diversity: Low
Leans Traditional
6.6
Dan in Real Life
(2007)
Political: Center
Diversity: Low
Leans Traditional
7.4
Royal Wedding
(1951)
Political: Center
Diversity: Low
Leans Traditional
8.3
Roman Holiday
(1953)
Political: Center
Diversity: Low
Leans Traditional
7.9
42nd Street
(1933)
Political: Center
Diversity: Low
Leans Traditional
7.2
I Love You, Man
(2009)
Political: Center
Diversity: Low
Leans Traditional
7.9
The Gay Divorcee
(1934)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Great Race
(1965)
Political: Center
Diversity: Low
Leans Traditional
8.6
It Happened One Night
(1934)
Political: Center
Diversity: Low
Leans Traditional
9.0
City Lights
(1931)
Political: Center
Diversity: Low