Prime VideoMcLintock! (1963)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Rating: 6.2
Overview
Ageing, wealthy, rancher and self-made man, George Washington McLintock is forced to deal with numerous personal and professional problems. Seemingly everyone wants a piece of his enormous farmstead, including high-ranking government men and nearby Native Americans. As McLintock tries to juggle his various adversaries, his wife—who left him two years previously—suddenly returns. But she isn't interested in George; she wants custody of their daughter.
Starring Cast
Where to watch
Prime Video
Philo
Apple TVBias Dimensions
Political: Strong Right
Diversity: Low
Christianity: Positive
Overview
Ageing, wealthy, rancher and self-made man, George Washington McLintock is forced to deal with numerous personal and professional problems. Seemingly everyone wants a piece of his enormous farmstead, including high-ranking government men and nearby Native Americans. As McLintock tries to juggle his various adversaries, his wife—who left him two years previously—suddenly returns. But she isn't interested in George; she wants custody of their daughter.
Starring Cast
Where to watch
Prime VideoPhiloApple TVDetailed Bias Analysis
Analyzing...
Traditional
Primary
The film's central thesis explicitly promotes traditional gender roles, patriarchal family structures, and individualistic solutions to societal problems, often critiquing government overreach and romanticizing a self-reliant frontier lifestyle.
The movie features traditional casting with a predominantly white main cast, consistent with its genre and era. Its narrative positively frames traditional identities, particularly the white male protagonist, and does not incorporate explicit DEI critiques or themes as central to its story.
Secondary
The film portrays a frontier community where Christian values and institutions, represented by a respected if comically flustered minister, are present and generally affirmed. The narrative does not critique the faith itself but rather uses characters for comedic effect within a respectful framework, aligning with the virtues of the faith.
McLintock! is a 1963 Western film that does not include any discernible LGBTQ+ characters or themes. The narrative focuses on traditional Western tropes, family dynamics, and comedic elements, with no representation of queer identity or experiences.
The movie does not contain any action or adventure elements.
McLintock! is an original film from 1963, not an adaptation of prior source material or a biopic. All characters were created for this specific movie, establishing their genders for the first time within this context. Therefore, no character's gender could have been swapped from a pre-existing canon.
McLintock! is an original film from 1963 with characters created for the movie. There is no prior source material (novels, comics, earlier films) or historical figures for its characters, thus no established racial baseline to constitute a race swap.
Viewer Rating Breakdown
6.2
Viewer Rating
Combines user and critic ratings from four sources
User Ratings
7.1
6.6
Critic Ratings
5.0
6.2
More Like This
Traditional
7.3
Chisum
(1970)
Political: Leans Right
Diversity: Low
Traditional
6.8
The Cowboys
(1972)
Political: Strong Right
Diversity: Moderate
Leans Traditional
6.7
The Good, the Bad and Huckleberry Hound
(1988)
Political: Center
Diversity: Low
Traditional
8.7
Rio Bravo
(1959)
Political: Leans Right
Diversity: Low
Leans Traditional
8.7
The Man Who Shot Liberty Valance
(1962)
Political: Center
Diversity: Low
Traditional
7.6
The Shootist
(1976)
Political: Leans Right
Diversity: Low
Leans Traditional
7.1
Mr. Hobbs Takes a Vacation
(1962)
Political: Center
Diversity: Low
Leans Traditional
7.8
Annie Get Your Gun
(1950)
Political: Leans Right
Diversity: Low
Leans Traditional
7.0
Hearts of the West
(1975)
Political: Center
Diversity: Low
Traditional
8.1
Fort Apache
(1948)
Political: Leans Right
Diversity: Low
Traditional
8.2
The Quiet Man
(1952)
Political: Leans Right
Diversity: Low
Traditional
8.2
El Dorado
(1966)
Political: Leans Right
Diversity: Low
Leans Traditional
8.4
Miracle on 34th Street
(1947)
Political: Center
Diversity: Low
Traditional
7.1
How the West Was Won
(1962)
Political: Leans Right
Diversity: Low
Traditional
7.7
3 Godfathers
(1948)
Political: Leans Right
Diversity: Low
Leans Traditional
7.6
The Parent Trap
(1961)
Political: Center
Diversity: Low
Traditional
8.7
Stagecoach
(1939)
Political: Leans Right
Diversity: Low
Traditional
8.0
She Wore a Yellow Ribbon
(1949)
Political: Leans Right
Diversity: Low
Leans Traditional
8.7
Red River
(1948)
Political: Center
Diversity: Low
Traditional
7.8
The Sons of Katie Elder
(1965)
Political: Leans Right
Diversity: Low