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A U.S. double agent in WWII Germany infiltrates Nazi councils while evading Allied intelligence (publicly, he was a foreign correspondent who had renounced his American citizenship). Three episodes of the series were stitched together into the 1966 theatrical movie 'I Deal in Danger.'
A U.S. double agent in WWII Germany infiltrates Nazi councils while evading Allied intelligence (publicly, he was a foreign correspondent who had renounced his American citizenship). Three episodes of the series were stitched together into the 1966 theatrical movie 'I Deal in Danger.'
The film's dominant themes align with right-leaning values through its romanticization of a pure, natural existence and its tragic destruction by external, modernizing forces, emphasizing a lament for lost tradition and purity.
This 1966 West German fairy tale adaptation features traditional casting with a predominantly white ensemble. Its narrative aligns with classic storytelling, presenting traditional identities in a neutral or positive light without engaging in modern DEI critiques.
The film 'Blue Light' is a 1966 spy thriller that does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on espionage and wartime intrigue without engaging with queer identity or experiences, resulting in no portrayal.
The movie does not contain any action or adventure elements.
Blue Light (1966) is an original spy drama series. Its characters were created for the show and do not derive from prior source material or historical figures with established genders, thus precluding any gender swaps.
Blue Light is an original 1966 television series. There is no prior source material or established canon from which its characters could have been race-swapped. Therefore, no instances of race swapping are present.
Combines user and critic ratings from four sources