Flint is again called out of retirement when his old boss finds that he seems to have missed 3 Minutes while golfing with the President. Flint finds that the President has been replaced by an actor (Flint's line [with a wistful look] is "An Actor as President?") Flint finds that a group of women have banded together to take over the world through subliminal brainwashing in beauty salons they own.
Flint is again called out of retirement when his old boss finds that he seems to have missed 3 Minutes while golfing with the President. Flint finds that the President has been replaced by an actor (Flint's line [with a wistful look] is "An Actor as President?") Flint finds that a group of women have banded together to take over the world through subliminal brainwashing in beauty salons they own.
The film's central conflict involves a hyper-masculine spy thwarting a global conspiracy by radical feminists to establish a matriarchy, thereby championing the restoration of the traditional male-dominated world order. This satirical defense of the status quo against radical social change aligns with right-leaning themes.
The movie features primarily traditional casting with no explicit race or gender swaps of established roles. Its narrative maintains a neutral to positive portrayal of traditional identities, without incorporating significant DEI themes.
The film features multiple female agents from the Z.O.W.I.E. organization who are depicted as highly skilled in physical combat. In the climax, these agents are shown engaging in and winning close-quarters physical fights against male security personnel.
The film 'In Like Flint' contains no discernible LGBTQ+ characters or themes. Its narrative focuses on heterosexual relationships and traditional gender roles prevalent in 1960s spy thrillers, resulting in no LGBTQ+ representation.
This film is a sequel featuring original characters established in the preceding movie. There are no instances of characters who were canonically, historically, or widely established as one gender being portrayed on screen as a different gender.
This film is a sequel to an original spy film series. Its characters were created for these films and do not have prior canonical or historical racial establishments that differ from their on-screen portrayals. Therefore, no race swap occurred.
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