Luke, an escaped convict, and Jaroo, a loner gold prospector, team up with a band of Apache Indians in 19th century Mexico to capture a large, heavily armed fortress for the millions -- or billions -- of dollars in gold that are rumored to be stored within. Written by Brian C. Madsen
Luke, an escaped convict, and Jaroo, a loner gold prospector, team up with a band of Apache Indians in 19th century Mexico to capture a large, heavily armed fortress for the millions -- or billions -- of dollars in gold that are rumored to be stored within. Written by Brian C. Madsen
The film's central conflict revolves around an adventure and treasure heist, with an authoritarian general serving as an obstacle rather than a subject of deep political critique. Its solution emphasizes individual action and force to achieve personal gain, not promoting a specific political ideology.
The movie features visible diversity in its cast, including a prominent Black co-star, but does not involve explicit race or gender swaps of traditionally white roles. The narrative maintains a neutral or positive framing of traditional identities, focusing on an adventure plot rather than explicit social critique.
The film "El Condor" does not contain any discernible LGBTQ+ characters or themes within its plot. The narrative centers on a heist adventure, with no elements related to queer identity or experiences. Consequently, there is no portrayal to evaluate, resulting in an N/A rating.
The film does not feature any female characters engaging in or winning close-quarters physical combat against male opponents. The primary female character, Claudine, is not depicted as a combatant.
El Condor (1970) is an original film and not an adaptation of pre-existing material with established characters, nor does it feature historical figures. Therefore, no characters exist whose gender could have been canonically or historically established prior to this film.
El Condor (1970) is an original film, not an adaptation of pre-existing material or a biopic. Its characters were created for this specific production, meaning there is no prior canonical or historical race to establish a baseline for a race swap.
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