M*A*S*H (1970)

The film briefly touches on themes related to homosexuality and gender non-conformity, primarily using them for comedic effect. A character's potential homosexuality is presented as a 'problem' for a quick joke, and cross-dressing is utilized in a crude 'cure' attempt and as a running gag, without affirming or respectfully exploring LGBTQ+ identities.

The film presents a nuanced view of Christianity, primarily through Father Mulcahy, who is portrayed with a degree of sympathy despite being a comedic figure, and Frank Burns, whose self-righteous hypocrisy is a target of satire. The narrative clearly condemns Frank's bigoted and cruel behavior, framing his misuse of faith as a personal failing rather than a critique of the religion itself. This distinction positions the audience to reject the character's bigotry while acknowledging the potential for genuine faith.