Patty, a young woman caught up in living for the present with little concern for the future, awakens one day to find her husband missing and the radio reporting that millions of people around the globe have mysteriously vanished. As dramatic, earth-shaking events begin to unfold around her, Patty realizes she is living in the end times spoken of in biblical prophecy.
Patty, a young woman caught up in living for the present with little concern for the future, awakens one day to find her husband missing and the radio reporting that millions of people around the globe have mysteriously vanished. As dramatic, earth-shaking events begin to unfold around her, Patty realizes she is living in the end times spoken of in biblical prophecy.
The film explicitly promotes a dispensationalist evangelical worldview, framing societal problems and solutions through a lens of biblical prophecy and individual faith, which is a cornerstone of the religious right's ideology.
The movie features a predominantly white cast typical of its era and genre, without any intentional diversity-driven casting. Its narrative is centered on religious prophecy and does not engage with or critique traditional identities or incorporate DEI themes.
The film unequivocally affirms a specific evangelical Christian interpretation of the Rapture and end-times prophecy, portraying true believers as righteous and saved. The narrative aligns with and promotes this specific faith perspective.
This film is a religious drama centered on Christian eschatology, specifically the Rapture and subsequent tribulation. Its narrative does not include any discernible LGBTQ+ characters or themes, thus rendering the portrayal N/A.
The movie does not contain any action or adventure elements.
A Thief in the Night (1972) is an original film, not an adaptation of existing source material with pre-established characters. Therefore, no characters exist whose canonical or historical gender could have been altered for this production.
The film "A Thief in the Night" (1972) features original characters created for its narrative, not adaptations of pre-existing source material with established racial identities or historical figures. Therefore, no race swaps occurred.
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