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After her husband’s death, Phyllis Lindstrom and her daughter Bess move to San Francisco to start over. There, she faces the challenges of clashing with eccentric relatives and adjusting to a new life.
After her husband’s death, Phyllis Lindstrom and her daughter Bess move to San Francisco to start over. There, she faces the challenges of clashing with eccentric relatives and adjusting to a new life.
Phyllis is a sitcom primarily focused on the personal adjustments and family dynamics of its titular character after her husband's death. The narrative centers on apolitical themes of individual resilience and finding purpose, rather than promoting any specific political ideology.
This 1970s sitcom features a predominantly white main cast, consistent with the typical casting practices of its era, without any apparent intentional race or gender swaps. The narrative focuses on the personal experiences of its lead character, a white woman, and does not explicitly critique traditional identities or center on DEI themes.
The 1970s sitcom 'Phyllis' does not include any discernible LGBTQ+ characters or storylines. The series primarily focuses on the titular character's life, family, and career after moving to San Francisco, without engaging with queer identities or themes.
The movie does not contain any action or adventure elements.
The show is a spin-off featuring an established character who maintains her original gender. New characters introduced are original to the series and do not represent gender-swapped versions of pre-existing figures.
The show "Phyllis" is a 1970s sitcom and a spin-off of "The Mary Tyler Moore Show." All main characters originated as and continued to be portrayed by actors of the same race as established in prior canon. There is no evidence of any character being depicted as a different race than their established or original portrayal.
Combines user and critic ratings from four sources