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Joanna Eberhart has come to the quaint little town of Stepford, Connecticut with her family, but soon discovers there lies a sinister truth in the all too perfect behavior of the female residents.
Joanna Eberhart has come to the quaint little town of Stepford, Connecticut with her family, but soon discovers there lies a sinister truth in the all too perfect behavior of the female residents.
The film's central thesis explicitly promotes progressive ideology by serving as a stark feminist allegory, critiquing patriarchal control and the suppression of female individuality through the horrifying transformation of independent women into docile, subservient figures.
The film features traditional casting without explicit race or gender swaps. However, its narrative strongly critiques traditional male dominance and patriarchal structures, portraying men as antagonists who enforce subservient roles on women, making this critique central to the story.
The 1975 film 'The Stepford Wives' does not feature any explicit LGBTQ+ characters or themes. Its narrative primarily explores themes of gender roles, conformity, and patriarchal control within a suburban setting, without incorporating queer identities or experiences.
The movie does not contain any action or adventure elements.
The 1975 film adaptation of Ira Levin's novel maintains the original gender of all established characters from the source material. There are no instances of characters canonically or historically established as one gender being portrayed as a different gender in the movie.
The 1975 film adaptation of "The Stepford Wives" portrays its main characters, such as Joanna Eberhart and Bobby Markowe, with actors whose race aligns with their established depictions in Ira Levin's original 1972 novel. No characters canonically established as one race were portrayed as a different race.
Combines user and critic ratings from four sources