PhiloThree Days of the Condor (1975)
Bias Rating
Analyzing...
Center
Viewer Rating
Rating: 7.4
Overview
When bookish CIA researcher Joe Turner finds all his co-workers dead, he, together with a woman he has kidnapped, must work together to outwit those responsible until he determines who he can really trust.
Starring Cast
Where to watch
Philo
Apple TV
Google PlayBias Dimensions
Political: Leans Left
Diversity: Low
Overview
When bookish CIA researcher Joe Turner finds all his co-workers dead, he, together with a woman he has kidnapped, must work together to outwit those responsible until he determines who he can really trust.
Starring Cast
Where to watch
PhiloApple TVGoogle PlayDetailed Bias Analysis
Analyzing...
Center
Primary
The film's central conflict critiques unchecked government power and secrecy within intelligence agencies, highlighting the dangers of covert operations and resource-driven geopolitical maneuvering. Its dominant themes align with progressive concerns about state accountability and the abuse of institutional power.
The film features a traditional cast without explicit race or gender swaps of established roles. Its narrative primarily critiques government corruption and power structures, rather than focusing on or critically portraying traditional identities or explicit DEI themes.
Secondary
Three Days of the Condor is a political thriller that does not feature any identifiable LGBTQ+ characters or themes. The narrative is entirely centered on espionage and government conspiracy, rendering the LGBTQ+ portrayal N/A.
The movie does not contain any action or adventure elements.
The film "Three Days of the Condor" is an adaptation of James Grady's novel "Six Days of the Condor." A review of the main characters in both the source material and the film reveals no instances where a character's established gender was changed for the screen adaptation.
The 1975 film "Three Days of the Condor" is an adaptation of James Grady's novel "Six Days of the Condor." The main characters, as depicted in the source material and portrayed in the film, maintain their established racial identities. There is no evidence of a character canonically or historically established as one race being portrayed as a different race.
Viewer Rating Breakdown
7.4
Viewer Rating
Combines user and critic ratings from four sources
User Ratings
7.4
7.3
Critic Ratings
8.7
6.3
More Like This
Center
8.8
Chinatown
(1974)
Political: Leans Left
Diversity: Low
Leans Traditional
6.7
Obsession
(1976)
Political: Center
Diversity: Low
Leans Traditional
8.3
All the President's Men
(1976)
Political: Center
Diversity: Low
Center
7.5
Gattaca
(1997)
Political: Leans Left
Diversity: Low
Center
8.2
Kiss Me Deadly
(1955)
Political: Leans Left
Diversity: Low
Leans Progressive
7.0
The Mighty Quinn
(1989)
Political: Leans Left
Diversity: Moderate
Leans Traditional
9.2
Rear Window
(1954)
Political: Center
Diversity: Low
Leans Traditional
7.6
The Spiral Staircase
(1946)
Political: Center
Diversity: Low
Leans Traditional
8.0
Zodiac
(2007)
Political: Center
Diversity: Low
Leans Traditional
6.7
Spy Game
(2001)
Political: Center
Diversity: Low
Traditional
8.6
Rebecca
(1940)
Political: Center
Diversity: Low
LGBTQ: Negative
Center
6.8
Identity
(2003)
Political: Center
Diversity: Moderate
Leans Traditional
7.8
The Others
(2001)
Political: Center
Diversity: Low
Center
8.2
Mystic River
(2003)
Political: Center
Diversity: Low
Leans Progressive
7.9
Gosford Park
(2001)
Political: Leans Left
Diversity: Moderate
LGBTQ: Neutral
Leans Traditional
7.8
Spellbound
(1945)
Political: Center
Diversity: Low
Leans Traditional
7.7
Dark Passage
(1947)
Political: Center
Diversity: Low
Leans Progressive
7.2
State of Play
(2009)
Political: Leans Left
Diversity: Moderate
Leans Traditional
6.9
Killjoy
(1981)
Political: Center
Diversity: Low
Center
6.9
Unbreakable
(2000)
Political: Center
Diversity: Moderate