When God appears to an assistant grocery manager as a good natured old man, the Almighty selects him as his messenger for the modern world.
When God appears to an assistant grocery manager as a good natured old man, the Almighty selects him as his messenger for the modern world.
The film critiques the rigidity and hypocrisy of established religious institutions while affirming the existence of God and promoting universal values of love, kindness, and environmental care. Its focus on spiritual truth and common-sense morality, rather than specific political ideologies, places it as neutral.
The movie features traditional casting with a predominantly white main cast and does not incorporate intentional race or gender swaps. Its narrative focuses on themes of faith and belief, without critiquing traditional identities or explicitly addressing diversity, equity, and inclusion.
The film critiques the rigid dogma and hypocrisy of organized Christian institutions through God's benevolent character, but ultimately affirms the existence of a loving God and the core virtues of faith, promoting a more genuine spirituality.
The film "Oh, God!" does not feature any discernible LGBTQ+ characters or themes. Its plot focuses exclusively on a supermarket manager chosen by God to spread a message, and the societal reactions to this claim. Consequently, there is no portrayal of LGBTQ+ identities or issues within the narrative.
The movie does not contain any action or adventure elements.
The film "Oh, God!" is an adaptation of Avery Corman's novel. All major characters, including the portrayal of God, maintain the same gender as established in the source material, with no instances of a character's gender being changed.
The film "Oh, God!" (1977) is an adaptation of a novel where the main characters, Jerry Landers and God, are consistently portrayed by white actors, aligning with the source material's implicit or explicit descriptions. There are no instances of characters being portrayed by a different race than established.
Combines user and critic ratings from four sources