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Born free in the American West, Black Beauty is a horse rounded up and brought to Birtwick Stables, where she meets spirited teenager Jo Green. The two forge a bond that carries Beauty through the different chapters, challenges and adventures.
Born free in the American West, Black Beauty is a horse rounded up and brought to Birtwick Stables, where she meets spirited teenager Jo Green. The two forge a bond that carries Beauty through the different chapters, challenges and adventures.
The film's central theme of animal welfare and the ethical treatment of horses promotes universal values of compassion and individual responsibility, rather than explicitly aligning with a specific political ideology or advocating for systemic change.
The movie features traditional casting with a predominantly white ensemble, reflecting its historical setting and production era. Its narrative centers on animal welfare and the human-animal bond, without engaging in critical portrayals of traditional identities or explicit DEI themes.
Set in Victorian England, the film implicitly aligns with Christian virtues such as compassion, kindness, and justice through its narrative. While some characters exhibit cruelty despite their nominal faith, the film's overall message champions these positive values, positioning the audience to condemn hypocrisy and affirm humane treatment.
The 1978 television series 'Black Beauty' centers on the adventures of a horse and the children who care for him. The story's focus is on animal welfare and human-animal bonds, and it does not feature any identifiable LGBTQ+ characters or themes within its narrative.
The movie does not contain any action or adventure elements.
The 1978 series is an adaptation of Anna Sewell's novel, 'Black Beauty.' The titular horse remains male, consistent with the source material. The human characters introduced in the series are new creations and not gender-swapped versions of established characters from the original novel.
The 1978 show "Black Beauty" is an adaptation of Anna Sewell's 1877 novel. The human characters in both the source material and the show are consistently portrayed as white, aligning with the 19th-century English setting. No established character's race was altered.
Combines user and critic ratings from four sources