Wendell Lawson has only six months to live. Not wanting to endure his last few months of life waiting for the end, he decides to take matters into his own hands and enlists the help of a delusional mental patient to help him commit suicide.
Wendell Lawson has only six months to live. Not wanting to endure his last few months of life waiting for the end, he decides to take matters into his own hands and enlists the help of a delusional mental patient to help him commit suicide.
The film's political bias cannot be assessed due to the complete absence of information regarding its plot, characters, and thematic content. Therefore, a neutral rating is assigned as no evidence supports any specific ideological leaning.
The movie features a cast that is primarily traditional, without explicit race or gender swaps of established roles. Its narrative focuses on individual themes and does not critically portray traditional identities or center on explicit DEI themes.
The film portrays traditional Christian views on death, sin, and the afterlife through a darkly comedic and cynical lens. It depicts religious rituals and comfort as largely ineffectual or absurd in addressing the protagonist's profound existential dread, highlighting the perceived limitations of faith in the face of personal mortality.
The film "The End" does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on the protagonist's existential crisis and his attempts to end his life, with no elements related to queer identity or experiences.
The movie does not contain any action or adventure elements.
The End (1978) is an original film with characters created specifically for this production. There are no pre-existing canonical or historical characters whose gender could have been altered.
This is an original film from 1978, not an adaptation of existing material or a depiction of historical figures. Therefore, no characters have a pre-established race to be altered.
Combines user and critic ratings from four sources