When a devious plot separates CIA agent Peter Sandza from his son, Robin, the distraught father manages to see through the ruse. Taken because of his psychic abilities, Robin is being held by Ben Childress, who is studying people with supernatural powers in hopes of developing their talents as weapons. Soon Peter pairs up with Gillian, a teen who has telekinesis, to find and rescue Robin.
When a devious plot separates CIA agent Peter Sandza from his son, Robin, the distraught father manages to see through the ruse. Taken because of his psychic abilities, Robin is being held by Ben Childress, who is studying people with supernatural powers in hopes of developing their talents as weapons. Soon Peter pairs up with Gillian, a teen who has telekinesis, to find and rescue Robin.
The film's central conflict critiques a secretive government agency's exploitation of individuals for military gain, aligning with left-leaning anti-authoritarian themes and a focus on the abuse of power against the vulnerable.
The movie features a predominantly white cast without intentional race or gender swaps of traditionally white roles. Its narrative centers on a supernatural thriller plot, and it does not critique traditional identities or explicitly incorporate DEI themes.
The film "The Fury" does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on psychic abilities, government conspiracy, and family dynamics, with no elements related to queer identity or experiences.
The movie does not contain any action or adventure elements.
The 1978 film "The Fury" is an adaptation of John Farris's 1976 novel of the same name. A review of the main characters in both the source novel and the film reveals no instances where a character's established gender was changed for the screen adaptation.
Based on a review of the film's characters and its source novel, there are no instances where a character canonically established as one race was portrayed as a different race in the 1978 film adaptation.
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