When Eve, an interior designer, is deserted by her husband of many years, Arthur, the emotionally glacial relationships of the three grown-up daughters are laid bare. Twisted by jealousy, insecurity and resentment, Renata, a successful writer; Joey, a woman crippled by indecision; and Flyn, a budding actress; struggle to communicate for the sake of their shattered mother. But when their father unexpectedly falls for another woman, his decision to remarry sets in motion a terrible twist of fate…
When Eve, an interior designer, is deserted by her husband of many years, Arthur, the emotionally glacial relationships of the three grown-up daughters are laid bare. Twisted by jealousy, insecurity and resentment, Renata, a successful writer; Joey, a woman crippled by indecision; and Flyn, a budding actress; struggle to communicate for the sake of their shattered mother. But when their father unexpectedly falls for another woman, his decision to remarry sets in motion a terrible twist of fate…
The film is a deeply personal psychological drama exploring family dysfunction, emotional fragility, and existential angst, without engaging in political discourse or advocating for any specific political ideology. Its focus is entirely on internal, human struggles rather than societal or governmental issues, leading to a neutral rating.
The film features a predominantly white cast, consistent with traditional casting practices of its era, and does not incorporate intentional race or gender swaps. Its narrative focuses on internal family dynamics and psychological themes, rather than engaging with or critiquing traditional identities or explicit DEI themes.
Interiors does not feature any identifiable LGBTQ+ characters or themes. The narrative centers entirely on the complex heterosexual relationships and emotional struggles within a single family, therefore offering no portrayal of queer identity.
The movie does not contain any action or adventure elements.
Interiors is an original film with characters created specifically for this production. There is no prior source material, historical record, or previous installment for its characters, meaning no character's gender could have been established and subsequently swapped.
Interiors is an original film with no prior source material, historical figures, or previous installments. Therefore, no character's race was canonically or historically established before this film's creation.
Combines user and critic ratings from four sources