Aviation disaster-prone Joe Patroni must contend with nuclear missiles, the French Air Force and the threat of the plane splitting in two over the Alps.
Aviation disaster-prone Joe Patroni must contend with nuclear missiles, the French Air Force and the threat of the plane splitting in two over the Alps.
The film's central conflict revolves around a criminal act and a high-stakes rescue, focusing on individual heroism and technical competence rather than exploring broader political ideologies or systemic critiques, leading to a neutral rating.
The film features a visibly diverse ensemble cast, though without explicit race or gender swaps of traditionally white roles. Its narrative, typical of the disaster genre, maintains a neutral or positive framing of traditional identities and does not incorporate explicit DEI critiques as a central theme.
The film 'The Concorde... Airport '79' does not feature any identifiable LGBTQ+ characters or themes. Its plot centers on a disaster aboard an aircraft, with character development and relationships presented without any queer representation. Therefore, the net impact on LGBTQ+ portrayal is N/A.
The film is a disaster movie focused on a Concorde jet facing various crises. Female characters, such as flight attendants and passengers, are primarily depicted in roles related to crisis management, assistance, or as victims. There are no scenes where a female character engages in and wins direct physical combat against one or more male opponents.
The film features an original cast of characters created for this installment of the 'Airport' franchise. There are no pre-existing characters from source material, prior films, or history whose gender was altered.
The Concorde... Airport '79 is an original disaster film, not an adaptation of a specific novel, comic, or historical event with pre-established character races. There are no legacy characters from prior canon whose race was explicitly defined and then changed.
Combines user and critic ratings from four sources