Upon receiving his draft notice and leaving his family ranch in Oklahoma, Claude heads to New York and befriends a tribe of long-haired hippies on his way to boot camp.
Upon receiving his draft notice and leaving his family ranch in Oklahoma, Claude heads to New York and befriends a tribe of long-haired hippies on his way to boot camp.
The film's central thesis explicitly promotes anti-war and anti-establishment counter-culture ideologies, critiquing traditional authority and militarism in favor of individual freedom and communal harmony.
The film "Hair" depicts a visibly diverse cast within its 1960s counterculture setting, reflecting the era's social movements. Its narrative offers an indirect critique of traditional societal norms and institutions, focusing on themes of anti-war and anti-establishment, rather than explicitly targeting traditional identities.
The film portrays sexual fluidity, primarily through the character of Woof, as an accepted aspect of the counter-culture movement's embrace of freedom and personal expression. This depiction is integrated into the narrative without judgment or negative framing, contributing to an overall affirming portrayal.
The film portrays the counter-culture's spiritual exploration, which includes elements aligned with Buddhist principles like peace and anti-materialism, in a positive light. These practices are presented as a harmonious alternative to the establishment's rigidity.
The film critiques the rigid, hypocritical, and war-supporting aspects of the American establishment, which is culturally rooted in conservative Christian values. The narrative implicitly positions these societal flaws as stemming from or being upheld by this worldview, contrasting it with the counter-culture's ideals.
The adoption of Hindu-inspired practices, such as Hare Krishna chanting, by the hippies is depicted positively. These practices are shown as integral to their peaceful, communal, and spiritually open lifestyle, which the film champions.
The movie does not contain any action or adventure elements.
The 1979 film "Hair" adapts the 1967 Broadway musical. All major characters in the film retain the same gender as established in the original source material, with no instances of a character's gender being changed.
The 1979 film "Hair" adapts the 1967 musical. Key characters whose race was established in the original production, such as Hud and Dionne (both Black), are portrayed by actors of the same race in the movie. There are no instances where a character's established race from the source material was changed.
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