When a dispute occurs between a logging operation and a nearby Native American tribe, Dr. Robert Verne and his wife, Maggie, are sent in to mediate. Chief John Hawks insists the loggers are poisoning the water supply, and, though company man Isley denies it, the Vernes can't ignore the strangely mutated wildlife roaming the woods. Robert captures a bear cub for testing and soon finds himself the target of an angry mutant grizzly.
When a dispute occurs between a logging operation and a nearby Native American tribe, Dr. Robert Verne and his wife, Maggie, are sent in to mediate. Chief John Hawks insists the loggers are poisoning the water supply, and, though company man Isley denies it, the Vernes can't ignore the strangely mutated wildlife roaming the woods. Robert captures a bear cub for testing and soon finds himself the target of an angry mutant grizzly.
The film's central thesis explicitly critiques corporate environmental destruction and its devastating impact on nature and indigenous communities, positioning unchecked industrialization as the primary antagonist.
The movie features a predominantly white cast, consistent with mainstream productions of its era, and does not include explicit race or gender swaps of traditional roles. Its narrative primarily focuses on environmental themes and the consequences of industrial pollution, rather than offering a critique of traditional identities.
The film 'Prophecy' does not feature any identifiable LGBTQ+ characters or themes. Its narrative centers on environmental horror, corporate pollution, and mutated wildlife, without incorporating elements related to queer identity.
The movie does not contain any action or adventure elements.
The film "Prophecy" (1979) is an adaptation of a novel. An analysis of its main characters shows no instances where a character's gender was changed from the source material to the screen portrayal.
Prophecy (1979) is an original film, not an adaptation of pre-existing material with established character races, nor does it feature historical figures or legacy characters from prior installments. Therefore, no character's race could have been canonically established before this film's portrayal.
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