When an unidentified alien destroys three powerful Klingon cruisers, Captain James T. Kirk returns to the newly transformed U.S.S. Enterprise to take command.
When an unidentified alien destroys three powerful Klingon cruisers, Captain James T. Kirk returns to the newly transformed U.S.S. Enterprise to take command.
The film's central conflict and resolution are philosophical, exploring the limits of pure logic and the importance of integrating emotion and consciousness for true understanding and evolution, rather than promoting specific partisan political ideologies.
Star Trek: The Motion Picture features a visibly diverse main cast, consistent with the original series, without introducing new explicit race or gender swaps of traditionally white roles. The narrative focuses on exploration and philosophical themes, and does not present a critical portrayal of traditional identities.
Star Trek: The Motion Picture does not include any explicit LGBTQ+ characters or themes. The narrative centers on a cosmic entity and the crew's mission, without addressing queer identity or experiences.
The film focuses on a technological and existential threat from V'Ger, rather than physical combat. Female characters like Ilia, Uhura, and Chapel are present but do not engage in or win any close-quarters physical fights against male opponents.
Star Trek: The Motion Picture features the original cast from The Original Series, with all established characters retaining their canonical genders. No characters from prior canon or source material were portrayed as a different gender in this film.
The film features the original cast from Star Trek: The Original Series reprising their established roles. All legacy characters maintain the race depicted in the prior canon, and new characters introduced do not constitute a race swap.
Combines user and critic ratings from four sources