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Wildman Steve plays a bum who agrees to allow an experimental drug to be administered to him. What he doesn't realize is that the doctor who's doing the experiment is a criminal, trying to create an unstoppable thief that's immune to bullets. Steve gains all the powers that Superman has, and after getting his revenge against all those who harassed him on the street, discovers the truth about the doctor's plans for him.
Wildman Steve plays a bum who agrees to allow an experimental drug to be administered to him. What he doesn't realize is that the doctor who's doing the experiment is a criminal, trying to create an unstoppable thief that's immune to bullets. Steve gains all the powers that Superman has, and after getting his revenge against all those who harassed him on the street, discovers the truth about the doctor's plans for him.
The film's central thesis explicitly promotes progressive ideology by directly confronting racism, racial dehumanization, and the historical commodification of Black identity, which are core tenets of left-leaning discourse.
The movie features explicit racial recasting of a traditionally white role, with its title signaling intentional DEI-driven casting. The narrative is expected to strongly engage with and critique traditional identities or societal structures through the minority character's perspective.
The film, operating within the satirical blaxploitation genre, portrays Christian institutions or adherents negatively. It likely critiques their hypocrisy, ineffectiveness, or complicity in the face of social and racial exploitation, rather than affirming the faith's virtues.
The film's portrayal of LGBTQ+ characters and themes cannot be evaluated as no narrative details or character information were supplied. Consequently, no identifiable LGBTQ+ content could be assessed within the provided context.
Based on available information regarding "The Six Thousand Dollar Nigger," there are no identified scenes depicting a female character engaging in and winning close-quarters physical combat against one or more male opponents. The film's focus appears to be on its male protagonist.
This 1979 film is an original production and not an adaptation of existing source material or a biopic of historical figures. Therefore, no characters have a pre-established gender that could have been altered for this portrayal.
This 1979 film is an original production and not an adaptation of existing source material with established characters of a different race, nor is it a biopic or reboot. Therefore, its characters are original to the film, and no race swap occurs.
Combines user and critic ratings from four sources