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Combines user and critic ratings from four sources
Rémi is a man trapped in a deteriorating marriage. When his wife is unexpectedly killed in a car accident, Rémi is left with his stepdaughter, Marion, who chooses to stay with him rather than live with her birth father. After the initial shock passes, Rémi is caught off-guard when Marion begins expressing her attraction to him. Initially repulsed, Marion's mature beauty wears him down as he finally caves to her seductions.
Rémi is a man trapped in a deteriorating marriage. When his wife is unexpectedly killed in a car accident, Rémi is left with his stepdaughter, Marion, who chooses to stay with him rather than live with her birth father. After the initial shock passes, Rémi is caught off-guard when Marion begins expressing her attraction to him. Initially repulsed, Marion's mature beauty wears him down as he finally caves to her seductions.
The film focuses on the complex psychological and emotional dynamics of an unconventional relationship following a death, exploring individual moral dilemmas and taboo desires without promoting a specific political ideology or offering a societal critique.
This film features a traditional cast without explicit diversity initiatives. Its narrative focuses on complex interpersonal relationships and moral ambiguities, rather than engaging with or critiquing traditional identities or promoting DEI themes.
Beau-père does not include any identifiable LGBTQ+ characters or themes within its narrative. The film's central plot focuses on a complex and controversial heterosexual relationship, with no elements pertaining to queer identity or experiences, thus rendering the LGBTQ+ impact N/A.
The movie does not contain any action or adventure elements.
Beau-père (1981) is an original film screenplay and does not adapt any prior source material, historical figures, or existing characters. Therefore, no characters were previously established with a specific gender that could be swapped.
Beau-père (1981) is an adaptation of a novel by its director, Bertrand Blier. There is no evidence of prior canonical, historical, or widely established racial depictions for its characters that differ from their portrayal in this film. Therefore, no race swaps occurred.
Combines user and critic ratings from four sources