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Two elderly Taoist priests, Chi Men and Dun Jai, who learn their magic from the same teacher always quarrel with each other. They provide mirth and expert kung fu tuition to young man who is mistakenly presumed to be the crown prince of the Imperial Court, missing since childhood. The emperor dispatches an eunuch with the magic powers to apprehend the young man. But he must first deal with Chi Men and Dun Jia who are the young man's protector.
Two elderly Taoist priests, Chi Men and Dun Jai, who learn their magic from the same teacher always quarrel with each other. They provide mirth and expert kung fu tuition to young man who is mistakenly presumed to be the crown prince of the Imperial Court, missing since childhood. The emperor dispatches an eunuch with the magic powers to apprehend the young man. But he must first deal with Chi Men and Dun Jia who are the young man's protector.
The film's fantastical setting, comedic tone, and focus on universal themes of justice, skill, and personal mastery, rather than explicit political commentary or systemic critiques, render it largely apolitical.
This 1982 Hong Kong martial arts film features a cast that is traditional for its cultural origin and genre, without any explicit race or gender swaps of roles. The narrative focuses on martial arts and fantasy elements, and does not engage with critiques of traditional identities or explicitly incorporate DEI themes.
The film features The Old Woman, a highly skilled martial artist and master of illusions, who repeatedly engages in and wins physical combat against multiple male opponents. Her victories are achieved through a combination of kung fu, agility, and tactical use of her environment and trickery.
The film "The Miracle Fighters" does not feature any identifiable LGBTQ+ characters or themes within its narrative. The story focuses on traditional martial arts, fantasy, and adventure elements without incorporating queer identities or experiences.
The Miracle Fighters (1982) is an original film with characters created specifically for this production. There is no prior source material, historical basis, or previous installments from which character genders could have been established and subsequently swapped.
The Miracle Fighters (1982) is an original Hong Kong martial arts fantasy film. Its characters were created for this specific movie and do not have pre-existing canonical or historical racial identities from prior source material to be altered.
Combines user and critic ratings from four sources