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In an inn in Trieste, Kyveli, wife of a political prisoner of the junta, falls in love with an old student of her husband, who has been distinguished for his activities against the dictatorship. But he will be forced to run away, along with his lover, as they are hunted by the police. Kyveli will go to Strasbourg to present evidence to the Council of Europe, which proves human rights violations in Greece, but the session is postponed and she now lives in a web of fantasies and unfulfilled expectations.
In an inn in Trieste, Kyveli, wife of a political prisoner of the junta, falls in love with an old student of her husband, who has been distinguished for his activities against the dictatorship. But he will be forced to run away, along with his lover, as they are hunted by the police. Kyveli will go to Strasbourg to present evidence to the Council of Europe, which proves human rights violations in Greece, but the session is postponed and she now lives in a web of fantasies and unfulfilled expectations.
The film primarily explores the universal human experience of love, loss, and survival amidst historical tragedy and displacement, focusing on individual struggles rather than promoting a specific political ideology or solution.
The movie features a cast that authentically represents its early 20th-century Greek setting, without explicit DEI-driven casting choices. Its narrative explores the struggles of a woman within a patriarchal society, offering a critique of gender roles and societal constraints rather than a broad, explicit critique of traditional identities as a central DEI theme.
The Christian family who shelters Roza is depicted with profound respect, showcasing their compassion, courage, and self-sacrifice in protecting a Jewish woman during a time of extreme danger. Their actions align with the virtues of their faith, highlighting moral righteousness.
The film centers on the persecution of a Jewish woman during WWII, portraying her and her faith with dignity and deep sympathy. It unequivocally condemns the antisemitism she faces, positioning the audience to empathize with the victims of bigotry.
The film "Roza" by Hristoforos Hristofis does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on a love triangle and family dynamics within a traditional setting, without engaging with queer identities or experiences.
The movie does not contain any action or adventure elements.
The film "Roza" (1982) features original characters created for the screenplay. There is no evidence of characters being adapted from prior source material or historical figures with established genders, thus precluding any gender swaps.
The film "Roza" (1982) is an original Greek drama. There are no pre-existing canonical characters from source material or real-world historical figures whose race could have been established prior to this film's creation. Therefore, no race swap occurred.
Combines user and critic ratings from four sources