Viewer Rating
Combines user and critic ratings from four sources
The young manager of a small television station loses his sight following an accident. When he buys her back, thanks to a new accident, he discovers that his wife is cheating on him, that his best friend has sold the television and that the girl he was falling in love with is only an investigator of the insurance company.
The young manager of a small television station loses his sight following an accident. When he buys her back, thanks to a new accident, he discovers that his wife is cheating on him, that his best friend has sold the television and that the girl he was falling in love with is only an investigator of the insurance company.
The film's central thesis explicitly promotes a progressive ideology by critiquing the systemic exploitation and dehumanization inherent in industrial capitalism, despite also offering a nuanced and pessimistic view on the effectiveness of various left-wing responses.
The movie features traditional casting, consistent with the director's era and genre, without explicit DEI-driven race or gender swaps. Its narrative framing does not critically portray traditional identities or center on explicit DEI themes.
As a satirical Italian comedy, the film likely critiques the hypocrisy or institutional rigidities associated with the Catholic Church or its adherents. Through comedic vignettes, it portrays aspects of the religious establishment or its followers in a critical light, reinforcing a negative view of these societal elements.
Without any information regarding the film's plot, characters, or themes, it is not possible to conduct an evaluation of its portrayal of LGBTQ+ elements. Therefore, the analysis defaults to N/A.
The movie does not contain any action or adventure elements.
There is no readily available information indicating that "Let's Make It Clear" (1984) is an adaptation of source material or a biopic featuring characters with pre-established genders. Without such a baseline, no gender swaps can be identified.
Without information on the film's source material, characters, or their established racial identities, it is not possible to identify any instances of a race swap according to the provided definition.
Combines user and critic ratings from four sources