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Combines user and critic ratings from four sources
Teenage girl idolises television game show host, and gets a chance to be his assistant
Teenage girl idolises television game show host, and gets a chance to be his assistant
The film's central thesis explicitly promotes a progressive ideology by subverting traditional religious authority and critiquing societal hypocrisy, aligning with anti-establishment themes and an embrace of chaos as liberation.
This experimental 1980s German film does not exhibit explicit DEI characteristics. Its casting reflects the traditional norms of its era and artistic context, without intentional diversity initiatives. The narrative focuses on surreal satire and a broad critique of the human condition, rather than engaging with specific DEI themes or critiquing traditional identities through that lens.
The film uses broad satire to depict the Christian concepts of heaven and hell as a highly bureaucratic, inefficient, and absurd system. It critiques institutional dogma and the human tendency to create rigid, flawed structures around spiritual beliefs, portraying them as foolish and hypocritical.
No information regarding LGBTQ+ characters or themes was provided for the film "Im Himmel ist die Hölle los." Therefore, an evaluation of its portrayal of LGBTQ+ elements cannot be conducted, resulting in an N/A rating.
The movie does not contain any action or adventure elements.
This film is a biblical parody. All major characters, including God, the Devil, Adam, Eve, Jesus, and Mary, are portrayed by actors whose gender aligns with the canonical or historically established gender of those figures. No gender swaps are present.
This is an original German comedy film from 1984, not an adaptation of pre-existing material with established characters or a biopic. Therefore, all characters are original to the film, and no race swaps can occur by definition.
Combines user and critic ratings from four sources