Apple TVTo Live and Die in L.A. (1985)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 7.8
Overview
When his longtime partner on the force is killed, reckless U.S. Secret Service agent Richard Chance vows revenge, setting out to nab dangerous counterfeit artist Eric Masters.
Starring Cast
Where to watch
Apple TV
Google PlayBias Dimensions
Political: Center
Diversity: Low
Overview
When his longtime partner on the force is killed, reckless U.S. Secret Service agent Richard Chance vows revenge, setting out to nab dangerous counterfeit artist Eric Masters.
Starring Cast
Where to watch
Apple TVGoogle PlayDetailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film explores moral ambiguity and corruption within law enforcement without advocating for specific political solutions or aligning with a partisan viewpoint, focusing instead on the destructive nature of obsession and vengeance. Its core conflict lacks a strong inherent political valence, and the narrative offers no discernible ideological solution.
The movie features a cast predominantly composed of white actors in leading roles, consistent with its production era and genre conventions, without explicit race or gender re-casting of traditional roles. The narrative focuses on individual character actions and moral ambiguities, rather than offering a critique of traditional identities or incorporating explicit DEI themes.
Secondary
The film "To Live and Die in L.A." does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on a crime thriller plot involving Secret Service agents and a counterfeiter, with no explicit or implicit representation of queer identities or experiences.
The film does not feature any female characters engaging in direct physical combat. Female characters present are primarily in supporting or investigative roles and do not participate in or win close-quarters fights against male opponents.
The film "To Live and Die in L.A." is an adaptation of a novel by Gerald Petievich. A review of the main and supporting characters reveals no instances where a character's gender was changed from the source material to the film adaptation.
The film is an adaptation of a novel. A review of the main characters and their portrayals indicates no instances where a character's race was changed from the source material to the film.
Viewer Rating Breakdown
7.8
Viewer Rating
Combines user and critic ratings from four sources
User Ratings
7.3
7.1
Critic Ratings
8.8
8.1
More Like This
Leans Traditional
8.6
The French Connection
(1971)
Political: Center
Diversity: Low
Traditional
6.6
The Gauntlet
(1977)
Political: Leans Right
Diversity: Low
Leans Traditional
6.6
The Return of Frank Cannon
(1980)
Political: Center
Diversity: Low
Leans Traditional
7.4
Lethal Weapon
(1987)
Political: Leans Right
Diversity: Moderate
Leans Traditional
8.0
Midnight Run
(1988)
Political: Center
Diversity: Low
Leans Traditional
7.0
Miami Blues
(1990)
Political: Center
Diversity: Low
Leans Traditional
6.7
Spy Game
(2001)
Political: Center
Diversity: Low
Leans Traditional
6.8
Fast & Furious 6
(2013)
Political: Leans Right
Diversity: Moderate
Center
7.3
Furious 7
(2015)
Political: Leans Right
Diversity: Moderate
Female Combat: Yes
Traditional
8.1
Bullitt
(1968)
Political: Leans Right
Diversity: Low
Leans Traditional
6.9
The Driver
(1978)
Political: Center
Diversity: Low
Leans Traditional
7.1
The Getaway
(1972)
Political: Center
Diversity: Low
Leans Traditional
7.1
French Connection II
(1975)
Political: Center
Diversity: Low
Leans Traditional
7.3
Marathon Man
(1976)
Political: Center
Diversity: Low
Leans Traditional
6.6
Sicario: Day of the Soldado
(2018)
Political: Leans Right
Diversity: Moderate
Leans Traditional
8.9
The Dark Knight
(2008)
Political: Leans Right
Diversity: Moderate
Traditional
8.2
Dirty Harry
(1971)
Political: Strong Right
Diversity: Low
Leans Traditional
6.5
The Anderson Tapes
(1971)
Political: Center
Diversity: Low
Leans Traditional
6.8
Bad Boys for Life
(2020)
Political: Leans Right
Diversity: Moderate
Traditional
7.4
Coogan's Bluff
(1968)
Political: Leans Right
Diversity: Low