6.0
Viewer Rating
Combines user and critic ratings from four sources
The Sixth Day (1986)
Bias Rating
Analyzing...
Center
Viewer Rating
Rating: 6.0
Overview
Egypt, 1947: in the midst of a cholera outbreak. A washerwoman tries to take care of her family, while at the same time resisting the advances of a charming suitor who's half her age.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Islam: Positive
Overview
Egypt, 1947: in the midst of a cholera outbreak. A washerwoman tries to take care of her family, while at the same time resisting the advances of a charming suitor who's half her age.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central focus is on the universal human struggle against disease and death, driven by personal love and resilience, rather than promoting a specific political ideology or systemic critique. While depicting social issues, it champions individual human spirit over a political solution.
The movie features an entirely non-white cast, authentic to its Egyptian setting, without engaging in explicit DEI-driven recasting of traditionally white roles. The narrative focuses on human drama and does not explicitly critique traditional identities or center on modern DEI themes.
Secondary
The film portrays Islam through the character of Sitt Hanaa, whose deep faith and prayers are depicted as a source of strength, hope, and resilience in the face of her grandson's cholera. Her devotion is shown with profound respect and sympathy, highlighting the comforting and enduring aspects of her belief system during immense suffering.
The film "The Sixth Day" does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on a grandmother's struggle to save her grandson from cholera, with no elements related to queer identity or experiences.
The movie does not contain any action or adventure elements.
The film "The Sixth Day" (1986) is an adaptation of Andrée Chedid's novel. There is no evidence that any character, established in the source material or otherwise, had their gender changed for the screen adaptation.
The film "The Sixth Day" (1986) is an original work by Youssef Chahine. There is no widely established prior canon or historical record for its characters that would allow for a determination of a race swap.
Viewer Rating Breakdown
User Ratings
7.0
5.0
Critic Ratings
N/A
N/A
More Like This
Leans Progressive
6.9
The Execution Squad
(1989)
Political: Leans Left
Diversity: Moderate
Center
7.6
Stories of an Estranged
(1992)
Political: Center
Diversity: Moderate
Center
7.0
Love has a Final Story
(1986)
Political: Leans Left
Diversity: Low
Center
7.8
Gone with No Return
(1984)
Political: Center
Diversity: Moderate
Center
7.8
The Beginning
(1986)
Political: Center
Diversity: Moderate
Center
6.9
Here's Cairo
(1985)
Political: Center
Diversity: Moderate
Center
6.8
This Was My Father's Crime
(1945)
Political: Center
Diversity: Moderate
Leans Progressive
6.7
Those Gentlemen
(1987)
Political: Strong Left
Diversity: Low
Center
10.0
Adam Uncovered
(1990)
Political: Center
Diversity: Moderate
Progressive
8.4
Nothing But a Man
(1964)
Political: Leans Left
Diversity: High
Leans Traditional
6.7
The Magic Box
(1952)
Political: Center
Diversity: Low
Leans Traditional
7.5
Punch-Drunk Love
(2002)
Political: Center
Diversity: Low
Leans Traditional
7.2
Thunderbolt and Lightfoot
(1974)
Political: Center
Diversity: Low
Leans Traditional
6.7
Goodbye Again
(1961)
Political: Center
Diversity: Low
Leans Progressive
8.8
Battleship Potemkin
(1925)
Political: Strong Left
Diversity: Low
Traditional
6.9
Francis of Assisi
(1961)
Political: Leans Right
Diversity: Low
Leans Progressive
6.6
Carmen Jones
(1954)
Political: Center
Diversity: High
Leans Traditional
8.9
The Dark Knight
(2008)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.8
The Good Earth
(1937)
Political: Leans Right
Diversity: Low
Leans Progressive
6.9
The Yin-Yang Master: Dream of Eternity
(2020)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Female Combat: Yes