Michael Burgess is an academic who has written a scholarly book on the American Revolution which Hollywood has bought the film rights to. The arrival of the film crew seriously disrupts him as actors want to change their characters, directors want to re-stage battles, and he becomes infatuated with Faith who will play the female lead in the movie. At the same time, he is fighting with his crazy mother who thinks the Devil lives in her kitchen, and his girlfriend who is talking about commitment.
Michael Burgess is an academic who has written a scholarly book on the American Revolution which Hollywood has bought the film rights to. The arrival of the film crew seriously disrupts him as actors want to change their characters, directors want to re-stage battles, and he becomes infatuated with Faith who will play the female lead in the movie. At the same time, he is fighting with his crazy mother who thinks the Devil lives in her kitchen, and his girlfriend who is talking about commitment.
The film satirizes the conflict between historical accuracy and commercial entertainment in Hollywood, focusing on the universal struggle for intellectual integrity rather than promoting a specific political ideology.
The movie features a traditional cast without explicit race or gender swaps of established roles. Its narrative is a satirical comedy that does not explicitly critique traditional identities or center on DEI themes.
The evaluation of 'Sweet Liberty' regarding LGBTQ+ characters and themes could not be completed as no film content details were provided. Therefore, no identifiable depiction could be assessed, resulting in an N/A rating.
The movie does not contain any action or adventure elements.
Sweet Liberty is an original screenplay, not an adaptation of pre-existing material or a historical biopic. All characters were created for this film, meaning none were established with a different canonical or historical gender prior to its production.
Sweet Liberty is an original film with characters created specifically for its screenplay. There are no pre-existing canonical characters from source material, history, or prior installments whose race could have been altered.
Combines user and critic ratings from four sources