
Not Rated
Denmark, by the end of the 19th century. Gov. Dihmer gives his resignation because of his illness. Two friends, a pastor and a physician, try to awaken his willpower and transcend a journey to Italy. Meanwhile, in the homeland, there are political breakthroughs that make little hope for new times.
Denmark, by the end of the 19th century. Gov. Dihmer gives his resignation because of his illness. Two friends, a pastor and a physician, try to awaken his willpower and transcend a journey to Italy. Meanwhile, in the homeland, there are political breakthroughs that make little hope for new times.
The film's central focus on the universal human experience of grief, memory, and psychological struggle, without engaging in explicit political commentary or advocating for ideologically aligned solutions, leads to a neutral rating.
The movie features traditional casting practices, aligning with productions of its time and region. Its narrative does not present a critical portrayal of traditional identities nor does it explicitly center on diversity, equity, and inclusion themes.
The film sympathetically portrays the protagonist's journey to find solace in her belief in the afterlife after a profound loss, affirming the role of faith in coping with grief within a Christian framework. The narrative aligns with the dignity of her spiritual search.
Based on available plot summaries and thematic analyses, "Das Totenreich" does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on a woman's return to her childhood home and her confrontation with past memories and family secrets, without incorporating queer identities or experiences.
The movie does not contain any action or adventure elements.
Das Totenreich (1986) is an original television film, not an adaptation of existing material with established characters or a biopic of historical figures. All characters appear to be original creations for this specific production, thus precluding any gender swaps.
Das Totenreich (1986) is an original Austrian television film, not an adaptation of a pre-existing work with established characters or historical figures. Therefore, there is no prior canon against which to assess a race swap.