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The scene of action is the far-off kingdom. Characters: Tsar Ivan, Ivan the soldier, Serpent Gorynych, Tsar's daughter Maria-Louise. And who just wooed her. Even the overseas king Jean-Jacques himself threw a fishing rod...
The scene of action is the far-off kingdom. Characters: Tsar Ivan, Ivan the soldier, Serpent Gorynych, Tsar's daughter Maria-Louise. And who just wooed her. Even the overseas king Jean-Jacques himself threw a fishing rod...
This Soviet children's musical fairy tale subtly aligns with left-leaning values by emphasizing collective problem-solving, mutual support, and community cohesion as the primary means to overcome challenges, rather than individualistic heroism.
This 1977 Soviet children's fantasy film features traditional casting consistent with its era and source material, without intentional race or gender swaps. Its narrative maintains a neutral or positive framing of traditional identities, typical of a classic fairy tale, and does not incorporate explicit DEI themes.
Without any provided information about the film's content, it is impossible to assess the portrayal of LGBTQ+ characters or themes. Therefore, the film's net impact on LGBTQ+ representation is classified as N/A.
The movie does not contain any action or adventure elements.
The film is an adaptation of a traditional Russian folk tale, "The Soldier and Death." All major characters, such as the Soldier, Death, the Tsar, and the Princess, maintain their canonical genders as established in the source material.
This 1988 Soviet fairy tale film is an adaptation of a Russian folk tale. The characters are implicitly white/Slavic in the source material and are portrayed by white actors in the film, consistent with the cultural context. There is no evidence of a character's race being changed from an established baseline.
Combines user and critic ratings from four sources