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This is the true story about a group of Romani's (gypsy) in occupied Poland during World War II as they confront the atrocities and tragedies of a forgotten holocaust.
This is the true story about a group of Romani's (gypsy) in occupied Poland during World War II as they confront the atrocities and tragedies of a forgotten holocaust.
The film's central thesis explicitly promotes progressive ideology by depicting the Romani Holocaust, critiquing systemic racism and state-sponsored persecution, and advocating for human rights and the protection of marginalized groups.
The movie features a diverse cast by focusing on the Romani people, an ethnic minority, during World War II. Its narrative explicitly critiques the oppressive actions of the Nazi regime, portraying traditional power structures negatively through their persecution of this marginalized group.
The film depicts the Romani Holocaust, where the dominant Christian-majority society largely failed to protect or actively participated in the persecution of the Romani people. The narrative implicitly critiques the moral failure and complicity of Christian institutions and individuals in the face of genocide.
The film, set during the Holocaust, depicts the persecution of Jewish people by the Nazis. The narrative unequivocally condemns this bigotry and violence, positioning the audience to sympathize deeply with the Jewish victims.
The film 'And the Violins Stopped Playing' centers on a Romani family's struggle for survival during the Holocaust. Its narrative does not include any discernible LGBTQ+ characters or themes, thus rendering the portrayal N/A.
The movie does not contain any action or adventure elements.
The film adapts Alexander Ramati's novel, which features original characters inspired by historical events. There is no evidence of any character, either from the source novel or a historical figure, being portrayed with a different gender than originally established.
The film depicts Romani characters during the Holocaust. While the cast primarily consists of non-Romani European actors, this constitutes an ethnic shift rather than a change in broader racial category, aligning with the exclusion criteria for a race swap.
Combines user and critic ratings from four sources