Viewer Rating
Combines user and critic ratings from four sources
In fact, people who then appear around Mitya are all unique, eccentric and the space of the apartment house begins to have an unrealistic character as a miniature of unstable society in the end of Soviet Union....
In fact, people who then appear around Mitya are all unique, eccentric and the space of the apartment house begins to have an unrealistic character as a miniature of unstable society in the end of Soviet Union....
The film's dominant themes align with right-leaning values through its melancholic and often absurd critique of the failing late Soviet socialist system, highlighting individual disillusionment and the decay caused by state control.
This 1989 Soviet film features traditional casting practices typical of its era and origin, without evident intentional diversity initiatives. Its narrative does not engage in critical portrayals of traditional identities or center on explicit DEI themes.
The film "Chyornaya roza - emblema pechali, krasnaya roza - emblema lyubvi" does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on the experiences of its heterosexual protagonist and the social dynamics of late Soviet-era Moscow, without engaging with queer identities or issues.
The movie does not contain any action or adventure elements.
This film is an original screenplay by Sergey Solovyov, not an adaptation of existing source material or a historical biopic. All characters were created specifically for this film, meaning there are no pre-established canonical or historical genders to be swapped.
This 1990 Soviet film is an original work, not an adaptation of existing source material with pre-established character races, nor a biopic of historical figures. Therefore, the concept of a 'race swap' as defined does not apply.
Combines user and critic ratings from four sources