Der Fall Ö. (1991)

Bias Rating

Analyzing...

Strong Right

Viewer Rating

Rating: 7.5

Overview

This film was made by an East German film director just before the Berlin wall fell. In an interview before the film he tells us how, when the Berlin wall was demolished, he and his family simply left to the West even th...

Starring Cast

Matthias Habich • Sebastian Hartmann • Tatiana Lygari

Bias Dimensions

Political: Leans Right

Diversity: Low

Overview

Starring Cast

Matthias Habich • Sebastian Hartmann • Tatiana Lygari

Detailed Bias Analysis

Analyzing...

Strong Right

Primary

Political: Leans RightConfidence: Medium

The film's central critique of socialist bureaucracy and the inefficiencies of a planned economy, implicitly advocating for individual common sense and flexibility, aligns with right-leaning skepticism of state overreach in economic matters.

Diversity: LowConfidence: High

Based on the limited information provided, the movie is assessed as having traditional casting and a narrative that does not explicitly critique traditional identities or center DEI themes. This suggests an an absence of overt DEI characteristics.

Secondary

LGBTQ: N/AConfidence: High

Without any information regarding the plot, characters, or themes of 'Der Fall Ö.', it is impossible to assess the presence or portrayal of LGBTQ+ elements. Therefore, the net impact is rated as N/A due to a complete lack of data for evaluation.

FemPower: N/R

The movie does not contain any action or adventure elements.

Gender Swap: NoConfidence: High

The film "Der Fall Ö." is an adaptation of Franz Fühmann's novel "Ö.". There is no widely known or documented instance of a character from the novel being portrayed with a different gender in the film adaptation.

Race Swap: NoConfidence: High

This 1991 German historical drama is a biopic about the Austrian writer Ödön von Horváth. The film portrays historical figures from Central Europe, and there is no evidence of any character being canonically or historically established as one race and then depicted as another.