An American submarine races to get a nuclear weapon before a Russian submarine.
An American submarine races to get a nuclear weapon before a Russian submarine.
The film satirizes the absurdity of Cold War tensions and military bureaucracy, portraying both American and Soviet characters with equal parts folly and humanity. Its focus on general incompetence and comedic resolution, rather than a specific ideological solution or critique, positions it as neutral.
The movie features visible diversity within its supporting cast, but does not appear to engage in explicit race or gender swaps of traditionally white roles. Its narrative, typical for a 1990s comedy, does not explicitly critique traditional identities or center on DEI themes.
The film 'Going Under' does not feature any identifiable LGBTQ+ characters or themes within its plot. The narrative centers on a comedic submarine crew and their mission, without engaging with queer identity in any capacity, leading to a determination of N/A for its portrayal.
The film "Going Under" is a comedy primarily set on a nuclear submarine. There are no significant female characters depicted engaging in or winning close-quarters physical combat against male opponents within the narrative.
Going Under (1991) is an original film and not an adaptation of pre-existing material with established characters. Therefore, no characters exist from a prior canon or historical record to undergo a gender swap.
Going Under (1991) is an original film and not an adaptation of pre-existing material with established character races, nor is it a biopic. Therefore, no characters existed prior to this film with a canonically or historically defined race that could be altered.
Combines user and critic ratings from four sources