The Rescuers Down Under (1990)

Overview
A lawless poacher wants to capture a majestic and rare golden eagle, so he kidnaps the boy who knows where to find the bird. Not to worry -- the Rescue Aid Society's top agents, heroic mice Miss Bianca and Bernard, fly to Australia to save the day. Accompanying the fearless duo are bumbling albatross Wilbur and local field operative Jake the Kangaroo Rat.
Starring Cast
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Bias Dimensions
Overview
A lawless poacher wants to capture a majestic and rare golden eagle, so he kidnaps the boy who knows where to find the bird. Not to worry -- the Rescue Aid Society's top agents, heroic mice Miss Bianca and Bernard, fly to Australia to save the day. Accompanying the fearless duo are bumbling albatross Wilbur and local field operative Jake the Kangaroo Rat.
Starring Cast
Where to watch
Detailed Bias Analysis
Primary
The film's central conflict, which involves protecting endangered species and nature from a greedy poacher, strongly aligns with environmentalist and animal welfare values, leading to a left-leaning rating.
This animated adventure film features a traditional cast of anthropomorphic animals and implicitly white human characters, consistent with mainstream animation of its era. The narrative focuses on environmental protection and adventure, without critiquing traditional identities or explicitly incorporating DEI themes.
Secondary
The film "The Rescuers Down Under" does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on the adventure of rescuing a boy and a rare eagle, with no elements related to queer identity or experiences present in the story or character portrayals.
The film features female characters such as Bianca and Marahute. Bianca, a mouse, primarily uses intelligence and agility for espionage and evasion, not direct physical combat. Marahute, a large eagle, engages in aerial attacks against male opponents, but these actions do not constitute close-quarters physical combat as defined.
All primary characters in "The Rescuers Down Under" either maintain their established gender from the previous film or are new characters created for this installment. No character previously established as one gender is portrayed as a different gender.
The film features anthropomorphic animal characters whose species and visual characteristics remain consistent with their original portrayals. The concept of a 'race swap' does not apply to these characters as they do not possess human racial identities.
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