Wayne Szalinski is at it again. But instead of shrinking things, he tries to make a machine that can make things grow. As in the first one, his machine isn't quite accurate. But when he brings Nick & his toddler son Adam to see his invention, the machine unexpectedly starts working. And when Adam comes right up to the machine, he gets zapped along with his stuffed bunny.
Wayne Szalinski is at it again. But instead of shrinking things, he tries to make a machine that can make things grow. As in the first one, his machine isn't quite accurate. But when he brings Nick & his toddler son Adam to see his invention, the machine unexpectedly starts working. And when Adam comes right up to the machine, he gets zapped along with his stuffed bunny.
The film's narrative centers on a fantastical scientific accident and its resolution through family ingenuity, remaining largely apolitical and focusing on universal themes of family and responsibility rather than promoting any specific ideology.
The movie features traditional casting with a predominantly white main cast and no explicit race or gender swaps of established roles. Its narrative centers on a comedic sci-fi premise without engaging in critical portrayals of traditional identities or incorporating explicit DEI themes.
Honey, I Blew Up the Kid is a family-oriented science fiction comedy centered on a scientist's accidental enlargement of his son. The film does not feature any identifiable LGBTQ+ characters, themes, or plotlines, resulting in no depiction to evaluate.
The film is a family comedy/sci-fi movie focused on a giant toddler. There are no significant action sequences involving physical combat. Female characters are present but do not engage in or win any direct physical fights against male opponents.
The film is a direct sequel featuring the same established characters from "Honey, I Shrunk the Kids," all of whom retain their original genders. No existing characters were recast with actors of a different gender, and new characters introduced were not gender-swapped versions of prior canon.
This film is a direct sequel featuring the original cast in their established roles. No characters from prior installments or source material were recast with actors of a different race.
Combines user and critic ratings from four sources