Viewer Rating
Combines user and critic ratings from four sources
After discovering that the Empress is actually Lung Erh, a member of the St Dragon Sect, and that she imprisoned the real empress. Lung Erh, is bent on eliminating the person who disclosed her true identity, Wai Siu Bo. But more complications ensues when Lung Erh is assigned to protect the Prince, whose servant is none other than Wai Siu Bo.
After discovering that the Empress is actually Lung Erh, a member of the St Dragon Sect, and that she imprisoned the real empress. Lung Erh, is bent on eliminating the person who disclosed her true identity, Wai Siu Bo. But more complications ensues when Lung Erh is assigned to protect the Prince, whose servant is none other than Wai Siu Bo.
The film's neutral rating stems from its satirical approach, which critiques the corruption and absurdity of both the imperial establishment and revolutionary factions, while primarily focusing on the apolitical themes of individual ambition and survival through cunning.
The film features an East Asian cast consistent with its cultural origin and source material, without engaging in explicit race or gender swaps of traditionally white roles. Its narrative focuses on comedic adventure within a historical Chinese setting, and does not incorporate explicit critiques of traditional identities or central DEI themes.
The film features several female characters who are highly skilled martial artists. Characters like the Empress Dowager (Long-er) and Su Quan are depicted engaging in and winning close-quarters physical combat against multiple male opponents using their martial arts prowess.
The film 'Royal Tramp 2' does not feature any identifiable LGBTQ+ characters or themes. Instances of cross-dressing serve as plot devices for disguise, unrelated to gender identity or sexual orientation, thus resulting in no direct LGBTQ+ portrayal.
This film is an adaptation of Louis Cha's novel "The Deer and the Cauldron." A review of its main characters against their canonical genders in the source material reveals no instances where a character established as one gender is portrayed as a different gender.
The film is a Hong Kong adaptation of a Chinese wuxia novel, featuring a predominantly East Asian cast portraying characters who are canonically East Asian. There are no instances of characters established as one race being portrayed as a different race.
Combines user and critic ratings from four sources