Prime VideoThe Nanny (1993–1999)
Bias Rating
Analyzing...
Center
Viewer Rating
Rating: 7.6
Overview
After a Jewish, high-voiced, woman from Flushing, New York gets fired from her job and dumped by her boyfriend, Fran Fine (Fran Drescher) is mistaken as applying for a nanny for widowed Maxwell Sheffield (Charles Shaughn...
Starring Cast
Where to watch
Prime VideoBias Dimensions
Political: Center
Diversity: Low
LGBTQ: Positive
Overview
After a Jewish, high-voiced, woman from Flushing, New York gets fired from her job and dumped by her boyfriend, Fran Fine (Fran Drescher) is mistaken as applying for a nanny for widowed Maxwell Sheffield (Charles Shaughn...
Starring Cast
Where to watch
Prime VideoDetailed Bias Analysis
Analyzing...
Center
Primary
The film's core conflict and resolution are rooted in psychological horror, family dysfunction, and the unreliability of perception, focusing on personal drama rather than promoting or critiquing any specific political ideology.
The movie features a primarily traditional cast with no explicit race or gender swaps of established roles. Its narrative maintains a neutral to positive framing of traditional identities, focusing on cultural and class humor rather than explicit DEI critiques.
Secondary
The Nanny generally portrays LGBTQ+ characters in a positive light, integrating them respectfully into the narrative. Characters like Noel Babcock are depicted with dignity and their identities are accepted, contributing to an overall affirming message despite occasional dated humor.
The movie does not contain any action or adventure elements.
The Nanny is an original sitcom that introduced its own characters. There are no prior canonical, historical, or widely established versions of these characters from source material, previous installments, or real-world history that could have undergone a gender swap.
The Nanny is an original television series, meaning its characters were created for this specific show. There is no prior source material, historical record, or previous installment to establish a canonical race for any character that could then be altered.
Viewer Rating Breakdown
7.6
Viewer Rating
Combines user and critic ratings from four sources
User Ratings
7.1
8.1
Critic Ratings
N/A
N/A
More Like This
Strong Left
7.2
My Oxford Year
(2025)
Political: Center
Diversity: High
LGBTQ: Positive
Leans Right
7.1
In Search of a Midnight Kiss
(2007)
Political: Center
Diversity: Low
Leans Right
6.9
In Good Company
(2004)
Political: Center
Diversity: Low
Leans Left
7.6
My Old Ass
(2024)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Leans Right
6.6
Dan in Real Life
(2007)
Political: Center
Diversity: Low
Leans Right
7.7
Knocked Up
(2007)
Political: Center
Diversity: Low
Leans Right
7.6
About a Boy
(2002)
Political: Center
Diversity: Low
Leans Right
8.4
Sideways
(2004)
Political: Center
Diversity: Low
Center
7.2
Vicky Cristina Barcelona
(2008)
Political: Center
Diversity: Low
LGBTQ: Positive
Leans Left
8.2
Anora
(2024)
Political: Strong Left
Diversity: Moderate
Leans Left
7.1
Infinitely Polar Bear
(2014)
Political: Center
Diversity: High
Strong Left
7.3
Dear White People
(2014)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Strong Left
7.1
Materialists
(2025)
Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Leans Left
7.0
Hello, My Name Is Doris
(2015)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Leans Right
7.4
Meet the Parents
(2000)
Political: Center
Diversity: Low
Leans Left
6.6
Legally Blonde
(2001)
Political: Leans Left
Diversity: Moderate
LGBTQ: Neutral
Leans Right
6.8
Something's Gotta Give
(2003)
Political: Center
Diversity: Low
Strong Right
6.7
Intolerable Cruelty
(2003)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Right
7.3
The 40-Year-Old Virgin
(2005)
Political: Center
Diversity: Moderate
LGBTQ: Negative
Leans Right
6.8
Definitely, Maybe
(2008)
Political: Center
Diversity: Low