
Not rated
Darkness and its possession evoke artistic "pre-images": primarily Expressionism and its "after-images". The story is told of a stroll through the (cinematic) night, of absurd and of dead theater....
Darkness and its possession evoke artistic "pre-images": primarily Expressionism and its "after-images". The story is told of a stroll through the (cinematic) night, of absurd and of dead theater....
Due to the complete absence of information regarding the film's plot, themes, or narrative, no political bias can be identified, resulting in a neutral rating.
The movie features a traditional cast without apparent intentional race or gender swaps of established roles. Its narrative does not appear to critically portray traditional identities or center on explicit DEI themes.
No information regarding LGBTQ+ characters or themes in 'Die Finsternis und ihr Eigentum' was provided, thus an evaluation of its portrayal is not possible.
The movie does not contain any action or adventure elements.
This film is an original screenplay, not an adaptation of existing material or a reboot. Therefore, all characters are new and original to this specific production, precluding the possibility of a gender swap as defined.
This film is an original Austrian drama from 1993, not an adaptation of existing material, a biopic, or a reboot. There are no pre-established characters with canonical or historical races to be altered.