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On the Schiermoser farm tense expectation prevails. The 'Urban', the Schaubleins, surprisingly announced their arrival. In the past, they were welcome as generous summer visitors. But now the shortage years of the First World War prevail. And the farmer's wife suspects lazy parasites in the townsfolk. The city family is indeed facing ruin. Especially since the defiant daughter Rosalie has just knocked out a promising money marriage without regard to scandal. The Rosalie is attracted to the Schiermoser heir Franz. His mother already drives the thought of a 'Madame Bäurin' to madness. Everyone experiences a turbulent time of upheaval. The end of the First World War will shake the social fronts as well as the new machine age.
On the Schiermoser farm tense expectation prevails. The 'Urban', the Schaubleins, surprisingly announced their arrival. In the past, they were welcome as generous summer visitors. But now the shortage years of the First World War prevail. And the farmer's wife suspects lazy parasites in the townsfolk. The city family is indeed facing ruin. Especially since the defiant daughter Rosalie has just knocked out a promising money marriage without regard to scandal. The Rosalie is attracted to the Schiermoser heir Franz. His mother already drives the thought of a 'Madame Bäurin' to madness. Everyone experiences a turbulent time of upheaval. The end of the First World War will shake the social fronts as well as the new machine age.
The film's central thesis explicitly promotes female autonomy and critiques patriarchal traditionalism by depicting a woman's struggle for independence against a conservative rural community, aligning with progressive ideology.
Based on the director's typical thematic and casting approaches, 'Madame Bäurin' is assessed to feature traditional casting and a narrative that does not critically portray traditional identities. The film is expected to present a neutral or positive framing of these identities, indicating an absence of explicit DEI characteristics.
The film portrays institutional Catholicism and its conservative adherents as complicit in the oppression and abuse of women in a patriarchal village setting. It critiques how religious authority and tradition are used to enforce rigid social norms and stifle individual freedom, offering no significant counterbalancing positive portrayal of the faith's role in the community.
The film "Madame Bäurin" does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on other aspects, resulting in no depiction of queer identity or experiences within its storyline.
The movie does not contain any action or adventure elements.
The film "Madame Bäurin" (1993) is an adaptation of Lena Christ's novel "Die Bäuerin." There is no indication that any character, established as one gender in the source material, was portrayed as a different gender in this film adaptation.
The film "Madame Bäurin" is a German period drama set in rural Bavaria, based on a novel by Lena Christ. All characters are portrayed by actors whose race aligns with the historical and canonical context of the source material, with no instances of established characters being depicted as a different race.
Combines user and critic ratings from four sources