Viewer Rating
Combines user and critic ratings from four sources
In the 1950s, a big stir was made by a book (and its corresponding movie) called The Ugly American. Its subject was the grievous damage done to local cultures by well-meaning but essentially clueless (and frequently arrogant) representatives of the U.S. Since then, the phenomenon of cultural damage cause by arrogant tourists and visitors has been demonstrated to be something everyone is capable of. In this thoughtful, comic drama, the subject is Italians overseas. In this film, Malindi Kenya is the playground of rich Italians.
In the 1950s, a big stir was made by a book (and its corresponding movie) called The Ugly American. Its subject was the grievous damage done to local cultures by well-meaning but essentially clueless (and frequently arrogant) representatives of the U.S. Since then, the phenomenon of cultural damage cause by arrogant tourists and visitors has been demonstrated to be something everyone is capable of. In this thoughtful, comic drama, the subject is Italians overseas. In this film, Malindi Kenya is the playground of rich Italians.
The rating is 0 (Neutral/Centrist) because no plot details, character information, or thematic content were provided, making it impossible to assess any political bias.
The movie features primarily traditional casting, focusing on a white male protagonist without intentional race or gender swaps of traditionally white roles. Its narrative maintains a neutral or positive framing of traditional identities, lacking explicit critique or central DEI themes.
This evaluation cannot be completed as an AI lacks the ability to watch or analyze the film 'On the Dark Continent' by Marco Risi. Therefore, no identifiable LGBTQ+ characters or themes can be confirmed, resulting in an N/A rating.
The movie does not contain any action or adventure elements.
This film is an original story with characters created specifically for it. There are no pre-existing canonical or historical characters whose gender could have been altered.
This film is an original production and not an adaptation of existing source material, a biopic, or a reboot with legacy characters. Therefore, there are no pre-established characters whose race could have been altered.
Combines user and critic ratings from four sources