New York Undercover (1994)

New York Undercover occasionally featured LGBTQ+ characters, primarily in crime-related plots where they were often victims of hate crimes. While the show condemned prejudice and sought justice, these portrayals were largely incidental, lacking deep, affirming character development or significant agency. The net impact is neutral, as the condemnation of hate is balanced by the limited and often victim-centric depiction.

The show often depicted Christian institutions and figures as integral parts of urban communities, providing support and moral guidance. While individual characters might be flawed or hypocritical, the narrative consistently framed these as personal failings rather than indictments of the faith itself, often highlighting the positive role of faith in characters' lives or community efforts.

New York Undercover was notable for its diverse representation, including Muslim characters and communities. The show generally portrayed Islam and its adherents with respect, focusing on their cultural contributions and community structures, and avoiding stereotypical or negative depictions of the faith itself, even when individual characters faced moral dilemmas or were involved in criminal activities.

Reflecting New York City's diverse population, the series occasionally featured Jewish characters and communities. These portrayals generally emphasized cultural identity and community cohesion with respect, avoiding negative stereotypes and presenting Jewish individuals as integral, nuanced members of the city's fabric.